 Graffiti with the Black Christ and the African American history, Youth Ministry Room, St. Peter Vlaver Ricardo, Members of the Buffalo Soldiers, Claiborne Avenue, Tremé Church, Tremé, New Orleans. |
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 Headless, embalmed parrot. Alexandre-Franconie Departmental Museum, Cayenne, French Guiana. |
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 His majesty MITO DAHO KPASSÈNON, king of Ouidah and supreme head of the voodoo cult, sitting in the Audience hall, Royal Palace. |
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 HOINDEH family on the beach in Hewé, during a private ceremony of the MAMI TCHAMBA cult, the only Voodoo cult to question the memory of African slaves. |
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 Honorè Feliciano DE SOUZA, CHACHA VIII in the memorial of Chacha I, Ouidah. |
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 Imrou, Asindopo, Saramaka territory, Surinam. |
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 Jessie Gilbert avec son fils Louis, Descendant de Célimène, une des filles de Dessalines. Photographie prise à Pétionville, 2012. |
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 La prière du mardi sur les ruines de l’habitation «Duplaa», Lieu de culte Vaudou, Ville du Cap-Haïtien, 2012. |
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 Lorraine Manuel Steed, avec le portrait de son ancêtre Marthe Adélaïde Modeste, femme africaine d’Ethiopie, arrivée comme esclave en Haïti en 1781, sur l’habitation de François Testas propriétaire au XVIIIe siècle d’une sucrerie dans le sud de Saint-Domingue. Photographie prise dans la maison familiale de Mme Steed à Pétionville, 2013. |
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 Mardi Gras Indians on Claiborne Avenue, Tremé. |
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 Mass, «The Sisters of the Holy family» convent, New Orleans. |
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 Miniatures, Toussaint Louverture avec les membres de sa famille Isaac Louverture, Placide Louverture et Louise Chancy Louverture, Collection Mupanah, Ville de Port-au-Prince, 2013. |
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 Mr. Ogougnidé BABALOLA, great grand-son of LAGOUNAN, Ketou, Benin Mr. Ogougnidé is a peasant and the guardian of the Akaba Idena (the magic door) of the former fortified entrance to the old Ketou Kingdom. |
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 Na dong mi dong lobihe Groupe of Captain women showing their decorated textiles at the funeral ceremonies in the Asindopo village. |
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 Petit-Paris district, Basse Terre. |
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 Portrait de femme, Collection privée de la famille Chéné, Ville du Cap-Haïtien, 2012. |
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 Production Cast Volunteers of the Natchez Tableau, before the performance, Natchez City Auditorium Mississippi. |
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 Remy features a “Mas-a-Kon”, “Voukoum” group The role of the rebel, the resistant, the “Slave maroon” is staged through a particular technical and musical choice. |
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 Skull of an anonymous person, slaves cemetery of Sainte-Marguerite Bay In 1995, two cyclones furrowed the beach of the bay of Sainte-Marguerite, in the municipality of the Moule, in rapid succession. |
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 Tebini Aboikonie, one of the men who dig the Granman grave., Asindopo, Saramaka territory, Surinam. |
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 The “whippers” during the «charge», Voukoum Group The “whippers” are the «Mas» sentinels, those who open the “charge” with the clacking sound of the their long whip, which handiness is only equaled by the deafening sound it produces. |
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 The apex of the Slaves’ Route is the «GATE OF NO RETURN», the only monument in Ouidah sponsored by the Slave Route Project. Situated at the end of the road, on the beach, the imposing gate was unveiled in November 1995, and still attracts numerous tourists and leading foreign visitors, such as the Brazilian President, Luiz Inacio Lula da Silva who visited the monument during his travel to the country in 2006. |
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 The Belfon Aboikonie coffin goes from the burial room to the secret cemetery in the forest. Asindopo, Saramaka territory, Surinam. |
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 The call to “charge”, members of the “Mas-ka-klé” group These young members of the “Mas Ka Klé” group are called to the “charge” by the most senior ones. |
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 Un pèlerin touche le Kita Nago, le tronc d’arbre, devenu symbole de l’unité nationale, après un itinéraire de deux semaines à travers le pays. Site de la Statue du «Marron inconnu» au Champ de Mars, Ville de Port-au-Prince, 2013. |
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