Cité Le Raizet, Les Abymes, 2012.

Contenu

Identifiant (dcterms:identifier)
BUAPH230336
Auteur (dcterms:creator)
Lo Calzo, Nicola (1979-....)
Titre (dcterms:title)
Cité Le Raizet, Les Abymes, 2012.
Date de la prise de vue (dcterms:date)
2012
Lieu de la prise de vue (bio:place)
fr Les Abymes
Description (dcterms:description)
Enrick features a “Mas-a-fwet”, “Mas Ka Klé” group In the context of the “Mas”, the only one missing is the white colonizer, who still appears through strong symbolic objects, like the whip, and through the figure – after all omnipresent – of the white oppressor one wants to fight and in opposition of whom one is defined. For instance, the use of whips reminds of the violence of the enslavement practiced during slavery. The masks then re-appropriate the main instrument of the slavery oppression, the symbol of a traumatic submission, in a mechanism of strategic reversal. Yet, the whip is never used to physically injure. The physical violence of the whip at the hands of the master becomes here a symbolic and moral violence in the hands of the Masks, which aims to shake the memories like an electroshock.
Extrait de (dcterms:isPartOf)
Cham, la mémoire vivante
Mot-clé Lieu (dcterms:spatial)
fr Les Abymes
Mot-clé Siècle (dcterms:temporal)
21
Type (dcterms:type)
fr Couleur
Format (dcterms:format)
image/jpeg
Conditions d'utilisation (dcterms:rights)
fr CC-BY-NC-ND - Attribution - Pas d'utilisation commerciale - Pas de modification
Provenance (dcterms:rightsHolder)
Université des Antilles
Plateforme source (dcterms:provenance)
Bibliothèque numérique Manioc

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